a (fashion) shooter

    cameras

    • Canon 5D Mark II: new day for still photographers?
    • Canon 1Ds Mark III notes
    • Canon 5D notes
    • the Canon 50mm 1.2 L lens
    • Canon 5D Mark II notes
    • black dots, black dots everyewhere...
    • Twisty lens on the 5D2
    • 5D2 AF in dim light: :-(
    • Canon 5D Mark II, Take II
    • Sveta Utkina

    food

    • food, dude (off on a tangent)
    • food and drink with the Canon Rebel T21

    lighting & technique

    • one light wonders - using a single light source in the studio
    • 5D2 test shoot
    • Sveta Utkina
    • Waterways (lucky landscapes)
    • one light wonders: a magazine + video shoot with just one light
    • finally, the workshops!
    • Workshops: the Creative Director
    • girl with head
    • homeofthevain.com's Nikola Tamindzic
    • food, dude (off on a tangent)

    lighting workshops

    • lighting workshops!
    • First lighting workshop (not really)
    • Allie Crandell of MTV’s "The City"
    • finally, the workshops!
    • Workshops: the Creative Director
    • girl with head

    the industry

    • what's in the galleries:
    • web vs. print
    • Annie Leibovitz /Miley Cyrus
    • good guys
    • The Rep: help or hindrance?
    • Magnum photographer at the New York Times
    • some hot spreads
    • food, dude (off on a tangent)
    © 2011 - 2012
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    what’s in the galleries:

    Living in lower Manhattan, I visit photo galleries every weekend. (And openings on thursday nighs where the crowd is colorful the wine is free:-) Aside from loving to look at photographs, I like to keep abreast of the state of the art in print quality is.

    Saw a wall full of fashion prints large and small yesterday from Inez van Lamsweerde & Vinoodh Matadin, recently seen prints from Annie Leibowitz (4 feet high and digital), Richard Avedon, Ellen von Unwerth, Irving Penn, Bill Owens, Mike Disfarmer, James Nachtwey, Sally Mann, room-sized digital prints from Gregory Crewdson’s 8×10 scans selling for $60,000, 5 foot high nudes of Pamela Anderson shot by Sante D’Orazio, etc., etc.

    In my opinion the prints from the 1Ds Classic (which I have seen and produced many of) easily exceed the traditonal prints from 6×7 film on the gallery walls in terms of sharpness and detail. Especially in sharpness, the darkroom prints simply do not look very sharp next to a well executed digital print, or even a digital C print from a digital camera.

    Of course, aside from photo nerds like us, no one who is in the gallery cares which is sharper from 5″ away. They are either intrigued by the content of the image or they are not, and they move along to the next image.

    Not sure where I am going with this except to note that we who are shooting digital already have plenty of sharpness and detail compared to the traditional processes up to and past 6×7 film I.M.O.

    And if you do not live where there are good gallery shows to see, you should come to NYC in the fall and feast your eyes!